Episode 7 is one of those not-so-Hiccup-centric episodes and kind of focuses on much lesser known rivalries like Snotlout and Fishlegs’. I found it quite interesting that their disputes were settled through a terrible terror training contest with hilarious results. Also I like the fact that they also integrated this dragon training in the rescuing of Meatlug from the outcasts which from a continuity standpoint is really great and shows a little depth in terms of writing. Something underrated in this episode is the capacity of the twins for some wisdom. Ruffnut exclaimed that “competition is the very essence of life, itself” while arguing that the dragon training IS a competition to which I definitely concur. Whether or not that was intentional, I thought it was a sign of the twins’ hidden, I mean really hidden intellect. Another thing about this episode is that there is some sort of consensus that Hiccup is the best dragon trainer among them and that the other riders are raring to prove themselves as superior maybe except the twins since their too busy being free, ignorant spirits to worry about superiority. Lastly, competition itself is expressed here as something that can be friendly as seen from Hiccup’s standpoint and something that can show supremacy among peers as seen from the rest’s competitive behavior. Given the target audience of the show, this is a great concept to be explored for developing young children in terms of their social skills.
Episode 8 is where the Screaming Death finally makes it return, but bigger and badder. Another intense episode filled with high octane dragon on dragon action. Much of the dragon training skills are expressed here by the riders with the new air mail system and in the defense against the SD. Sexuality is also touched on in this episode as Astrid kissing guys is a thought that was discussed in the earlier parts of the epi. For young boys and girls to see these types of interactions no matter how small between male and female members of the show is helpful in again the development of their social skills especially towards the opposite sex. In terms of the narrative this episode is great in showing the depth of the dragon world with their respective island behaviors.
I really liked episode 9 because its a twin-centric episode. Ruff and Tuffnut get to showcase their simpleton nature to the fullest all while Tuff trains a wild typhoomerang which turns out to be Torch, a baby typhoomerang they saw in a previous episode. This is a nice toast to continuity as past events especially the minor ones don’t really get a follow up or a continuation in subsequent episodes. The worldbuilding also gets a nod here with the whole heat wave season aspect of Berk. I firmly believe that the worldbuilding in this show is functionalist in nature in the sense that most of the exposition and world expanding details serve some sort of purpose to advance the plot. In comparison to my favorite show, Samurai Champloo (SC), SC is filled with exposition that isn’t necessarily important to the plot or doesn’t advance anything but the entertainment of the show. For example, much of the historical exposition in the show whether factual or not does not really advance the plot in any meaningful way. It only makes the whole world of SC richer and much more vibrant. One of the biggest differences of the shows is in that regard.
Episode 10 and 11 showcase my ultimate favorite dragon in the series thus far, the Skrill. Purple, lightning-riding, ferocious, the Skrill is so badass! Apparently, the berserkers agree with that sentiment since it is revealed that the Skrill is the dragon that is printed on their crests. There is much to say about these episodes because it showcases many things that make the show really good. Crazy badass dragon, check. Intense, high octane dragon fighting, check. Great humor and many brilliant twin moments, check. Crazy visuals, check. Hiccup and co, trumping the Berserks and Outcasts in one fell swoop??? Super big check. This 2 part episode is a culmination of the ever growing Outcast/Berserker problem with higher stakes than ever. The fact that Dagur was able to control the Skrill in a very oppressive, unnatural manner made it even more intense and is a reference to their old berserker tradition which earned them renown across the isles. It also shows the evolution of the dragon-man dynamic through time that culminated in the clash of old versus new in Dagur/Skrill vs Hiccup/Toothless. Intense episode indeed that ended with the good on top (AS USUAL). Oh and the twins really got to shine again in this episode, especially Tuffnut. His whole infiltration of the Outcast-Berserker meeting was brilliantly done with the songs executed to perfection.
Episode 12 is an episode that mostly revolves around Snotlout and the development-lacking Gustav. Gustav is a character that sort of craves more development from a narrative standpoint since he is a part of some episodes, often playing a factor in them and yet not much is really known about him. Another thing I like about this episode is that it showcases a nice little nuance in their viking culture. The belief in the “five signposts of Valhalla” is quite an interesting exposition in that it deepens their belief in an afterlife to the extent that they actually believe in physical signs of individual, impending doom. The viewership target of this show probably wouldn’t care about the religious underpinnings of such a concept mainly because kids are not interested in religion (I think), and death is merely a harmless television thing to them. I personally think that it’s great that these themes are being explored in a children’s show, no matter how small or harmless it is because it is a way for children to become conscious of realities in the real world. In terms of narrative and plot, I think it’s refreshing to see a new potential dragon rider in Gustav and this episode is somewhat of a set-up for more adventures that could feature him. Snotlout is still the annoying douche, Dagur is still trying to capture toothless and defeat Hiccup (unsuccessfully, mind you), so nothing new in those regards.
The quality of this season is now undisputable. Watching these episodes finally matched my initial expectation of the series as a whole. Many more themes and subjects are getting expressed and the characters are getting their share of the attention and development. I expect the rest of the season to match if not better what I have seen so far.